Theater in Buenos Aires: Vigilia de noche

One of the best elections when seeing good theater. The spectator a handful of extras will be taken that will make it meditate for some time on the encounter with the other one inside their life.

In my adolescence, my father was accustomed to to give me advice. One of the most interesting it was to keep in mind that when I fell in love, the elected person had the palm of the hands of their parents in the back.
With this metaphor he referred to the construction, to the womb that a family leaves in their children, that support that will form them for the one I subtract of their days, that way of loving, since the love is not the same thing for everybody.
There is who grow believing that the love each point goes of the hand of a slap, there are them of so diverse formulas as the resultant of the union of their parents. Daniel Veronese takes this material of the one Swedish author Lars Norén who possesses feather of characteristic anthropological, and it takes their text to scene, transforming it in a true work of art.
There is an unmistakable mark stamp in this work, the address of actors is of a such wealth that the spectator wants that the scenic magic never finishes. Those bodies and voices by Mara Bestelli, Pilar Gamboa, Luis Machín and Walter Jacob works as a wonderful symphony in which there is never a note outside of place. The encounter of personalities and the lúdica of the scenes, they go allowing to see a characteristic very particular in each individual, the relationship with its couples exhibits the complex facets of their personality until reveal the origin of the internal conflict, that that it leaves from the encounter and the desencuentro with their progenitor. The composition wealth in the cast, it speaks of a level of the scenic art in this corner of the world and the why of the recognition of our theater.

Where:
Theater Picadero. Passage Santos Discépolo 1857, Buenos Aires.
Tuesday 21:00.

Theater in Buenos Aires